Victor Massé Autograph

SKU: 8009034

Prix:
Prix réduitSFr.150,00

Description

Autograph letter with signed, one page, 5,25 x 7,75 inch, `Théâtre Imperial de L'Opéra - Cabinet du Directeur` stationery, Paris, 29.09.1862, in French, to "Monsieur Cogniard" (probably Hippolyte Cogniard, 1807-1882) - concerning a box seat, written and signed in black ink "Victor Massé", attractively mounted (removable) for fine display with a photograph of Victor Massé (altogether 11,75 x 8,25 inch), with mild signs of wear - in fine to very fine condition.

"Mon cher Monsieur Cogniard,
vous seriez bien aimable de me donner une loge pour la représentation de ce soir.
Merci d`avance, et veuillez agréer l'expression de mes sentiments affectueux.
   Victor Massé"

Translated:
"My dear Mr. Cogniard,
Would you be so kind as to give me a box for tonight's performance.
Thank you in advance, and please accept the expression of my affectionate feelings.
   Victor Masse"

Plus d'informations sur la personne

Profession:
(born Félix-Marie Massé; 1822-1884) French composer

Year of Birth: 1822

Biography (AI generated)

Victor Massé was a French composer and pianist born on April 24, 1822 in Marseille. He is best known for his operas, but he also composed many vocal and chamber works. Massé studied music at the Paris Conservatory, where he won first prize for harmony and counterpoint in 1845. After leaving the Conservatory, he began composing operas and other works for the stage. He wrote six operas, including the popular Les Noces de Jeannette (1854), and the comic opera La Basoche (1860). His other works include the cantata Les Sept Paroles du Christ (1854), the cantata La légende de saint Christophe (1856), the oratorio L'Annonciation (1858), and the ballet La Fée Carabosse (1863).

Massé's musical style was greatly influenced by the works of Hector Berlioz and Franz Liszt. He was also a great admirer of the works of Giacomo Meyerbeer and Gioachino Rossini, and was greatly influenced by their operas. Massé was also known for his skill as a pianist, and he often performed his works with a small orchestra. He was a tireless advocate for French music, and he was a strong supporter of the works of his contemporaries, such as Bizet and Franck. He was also a close friend of Berlioz and Liszt.

Massé was a member of the jury of the Paris Conservatory from 1856 to 1858, and in 1858 he was appointed as the director of the Théâtre-Italien in Paris. He was also active in the musical life of Paris, and was a frequent attendee at the concerts of the Société Nationale de Musique. He was also a teacher of composition and piano at the Conservatory from 1864 to 1869.

In 1872, Massé's health began to fail and he retired from his position at the Conservatory. He died on April 5, 1884 in Paris at the age of 61. Massé's works have been largely forgotten in recent years, but his operas are still occasionally performed. His legacy as a composer and as a teacher of composition continues to be remembered.

Victor Massé was an important figure in the development of French music in the 19th century. He was a skilled composer, pianist, and teacher, and he was a great advocate for French music. His works are often overshadowed by those of his more famous contemporaries, but his contribution to the musical life of Paris and to the development of French opera should not be forgotten.

Massé's works are notable for their beautiful melodies and intricate harmonies, and they remain an important part of the French operatic repertoire. His music is still performed today, and his legacy as a composer and teacher will continue to inspire future generations of musicians.

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