Descripción
Lengthy manuscript signed, 15 total pages on eight sheets, 5,5 x 8,5 inch and 6,5 x 9 inch, 28.01.1949, manuscript consisting of an interview with Diego Rivera, written in the hand of the interviewer Andre Visal - Diego Rivera signs at the conclusion and adds his initials nine times throughout, with toning, puncher holes to the first five sheets, creases and edge tear to a vertical edge of the final three sheets - overall in nearly fine condition.
In parts (grammar and spelling retained):
"Mexico has entered in the period of bourgeois consolidation in the interior policy - regarding the exterior policy is entirely in the hands of the Washington govt through the investment of American money, control of the value of Mexican by Wall St and the treaties signed collectively between latin American countries and US who objectively take out the independence of all the latin American countrys especially Mexico because of being such close neighbors and because no country in the world is independent without having a natl economy based upon his own industry and agriculture which is not the case in Mexico. On the other hand all through the history the ruling class has controlled or tried to control the production of art, thru the market, helped by fashions, legislation corruption and finally by force.
Only escape to this power of control the art production who make blood & bombs with the insurrection of groups or classes fighting against the rulers. Naturally, now when the fight for Agrogion democratic bourgeois revolution has stopped to give place to consolidation of the new bourgeoisie - typically represented by Miguel Aleman and his govt - has not the same need of demagougy of the preceeding govt. Therefore they have established a mural painting commission but they dont commission any more mural painting and the commission intergrated [David Alfaro] Siqueiros, [Jose Clemente] Orozco, Rivera has his own work stopped in govt buildings of Mexico City. On the other hand the new bourgeoisie has discovered the new French style - the ultra modern new academician Le Corbusier. Being a half colonial country Mexico has a petty bourgeois & bourgeoisie who never dare to employ any style belonging to herself unless his foreign masters approve. This is why now, after having tried French style for houses, they have passed to California & Colonial (as they call themselves) and now they build houses in French Corbusier style - especially because being more simple they are more inexpensive. The accumulation of money, around 10000 declared new millionaires, and the new type of architecture has established a certain need of painting not only to be enjoyed esthetically but also to play as furniture - and especially - to accomplish its basic function of exchange value susceptible to rise in value & to sell good interest to investor. This need help by the interest of the recently established art dealers, int. decorators art critics, his helpers and in general all apparatus of control belonging to new bourgeoisie including the fine arts institute - has provoked a production in accord with the needs of the buyers. That is the real reason and the truth about the so-called crisis of Mexican painting."
In parts (grammar and spelling retained):
"Mexico has entered in the period of bourgeois consolidation in the interior policy - regarding the exterior policy is entirely in the hands of the Washington govt through the investment of American money, control of the value of Mexican by Wall St and the treaties signed collectively between latin American countries and US who objectively take out the independence of all the latin American countrys especially Mexico because of being such close neighbors and because no country in the world is independent without having a natl economy based upon his own industry and agriculture which is not the case in Mexico. On the other hand all through the history the ruling class has controlled or tried to control the production of art, thru the market, helped by fashions, legislation corruption and finally by force.
Only escape to this power of control the art production who make blood & bombs with the insurrection of groups or classes fighting against the rulers. Naturally, now when the fight for Agrogion democratic bourgeois revolution has stopped to give place to consolidation of the new bourgeoisie - typically represented by Miguel Aleman and his govt - has not the same need of demagougy of the preceeding govt. Therefore they have established a mural painting commission but they dont commission any more mural painting and the commission intergrated [David Alfaro] Siqueiros, [Jose Clemente] Orozco, Rivera has his own work stopped in govt buildings of Mexico City. On the other hand the new bourgeoisie has discovered the new French style - the ultra modern new academician Le Corbusier. Being a half colonial country Mexico has a petty bourgeois & bourgeoisie who never dare to employ any style belonging to herself unless his foreign masters approve. This is why now, after having tried French style for houses, they have passed to California & Colonial (as they call themselves) and now they build houses in French Corbusier style - especially because being more simple they are more inexpensive. The accumulation of money, around 10000 declared new millionaires, and the new type of architecture has established a certain need of painting not only to be enjoyed esthetically but also to play as furniture - and especially - to accomplish its basic function of exchange value susceptible to rise in value & to sell good interest to investor. This need help by the interest of the recently established art dealers, int. decorators art critics, his helpers and in general all apparatus of control belonging to new bourgeoisie including the fine arts institute - has provoked a production in accord with the needs of the buyers. That is the real reason and the truth about the so-called crisis of Mexican painting."
Más información sobre la persona
Profession:
(1886 - 1957) prominent Mexican painter and the husband of Frida Kahlo
Year of Birth: 1886
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